Use case
Rescue the Shaky Graduation Photos
The workflow in action — drag to compare.
Graduation gives you one three-second window: the name is called, the walk, the handshake, the tassel — and you're photographing it at maximum zoom, from arena seating, with hands that are also applauding. The resulting frames commemorate two decades of work with a shaky amber blur.
This is a compound rescue and a routine one: deblurring recovers the handshake your applause smeared, denoise clears the arena grain, exposure correction fixes the stage-lights-versus-dark-arena split, and a crop-and-upscale turns the distant graduate into a portrait. The cap-toss frame gets the same chain.
Graduations don't restage. The frames you caught are the record — seconds of treatment makes them worthy of what they recorded.
The problems this solves
- Applauding hands plus maximum zoom equals shake blur.
- Arena lighting splits frames into blown stage and black seating.
- The graduate is a small figure in a wide, grainy frame.
- The three-second window produced three frames, all flawed differently.
A workflow that works
Sharpen the handshake
Deblurring recovers the moment the applause shook — the frame the whole day was for.
AI Unblur ImageFix the arena exposure
Balancing the stage's blaze against the arena's dark recovers the graduate's face.
AI Exposure FixerClear the zoom grain
Arena-distance zoom fills frames with noise; cleanup restores the scene.
AI DenoiseCrop and upscale the graduate
From wide arena frame to the portrait that gets framed next to the diploma.
AI Image UpscalerFrequently asked questions
All three frames are flawed differently. Which do I rescue?
Try all three — each rescue takes seconds, and the best result often comes from the frame you'd have ranked last. Credits are spent per edit, and signup includes 4 free to experiment with.
Can the livestream recording yield a photo?
Yes — screenshot the handshake from the ceremony stream and run the chain on it. Stream frames start soft and compressed but often catch the exact moment.
The cap-toss group shot is chaos and blur. Same fix?
Same chain — deblur, denoise, brighten. Toss shots keep some motion energy even rescued, which is usually the charm of them.
Can this be done before the family dinner tonight?
Seconds per frame, available around the clock — rescued and shared before the toast.
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